donderdag 8 augustus 2013

All you need to know on tablets!

Hello all!

I have read and had countless discussions on digital painting tablets, and I finally decided to write a thought out blog post about it. I have had the fortune to try a wide variety of different Wacom tablets and the following are my personal experiences and opinion on them.

I'll be discussing Wacom only, since it is a bit of a monopoly. I have not yet tried any other brands because of this very reason, so I won't speak on them either.


What you should look out for



First off, the pen is more important than the tablet surface. This is simply because the surface will not have a lot of different variables. Surface size and levels of pressure sensitivity are the only ones (and wether or not it's a monitor or not). The buttons on the side of the tablets are gimmicky. I can honestly say it is a very rare sight to see a professional use them - most of us have our offhand resting on the keyboard, which has more keys however you put it. (the exception would be sometimes when you work with a Cintiq, the buttons can be usefull then) For this reason I basically disregard the buttons entirely, as I heavily recommend using a keyboard instead. (small wireless one on your lap works wonders)

For a pen, you're looking at more important variables such as weight and balance, and rate of tip decay. The weight and balance will directly influence your wrist and can cause serious issues if you're a freelancer like me, and you paint a bunch of hours every day. The size of the tablet surface can affect your wrist too, but not so much.


Size matters


It matters, except, well, bigger isn't better. I've tried huge tablets and tiny ones. Both have obvious issues. Big ones have you swinging your elbow all over the place, small ones tire your wrist. Both are unreasonable for long, repeated work days. I'm assuming you want to freelance full time (or even half time) and will have a stationary setup.
For this, a medium (around A4 surface) works best. The intuos A4, or intuos 4/5 medium. Perfect balance.





Lets have a look at the different types and systematically list the pro's and cons:

Intuos 3


+Pen is weighted and sized superiorly vs the intuos 4 and 5
+Pen tips last a LONG time (for some reason)
+Older generation, therefore cheaper.

-Older generation, therefore harder to find.
- A4 is just a tad too large to put in your average backpack, which makes it movement unfriendly
- USB wire is attached to the tablet permanently. It will eventually break open at the attachment of your tablet if you aren't careful, which might need replacing by someone tech savy.

 

Intuos 4


+ The wire can be unplugged on the tablet end.
+ Looks kinda nice. Black. But who cares, honestly?
+ Medium size is slightly smaller than the intuos3 A4, so it's more portable-friendly.

- Pen is weighted and sized horribly. They are short and light, feels awful in my opinion. For this reason I do not recommend a intuos4 at all.
- Pen tips decay insanely fast for some reason. I have to assume foul play from Wacom here, they must have thought made the previous tips too good or something.
- Might have been a driver issue, but when I tried it the sensitivity of the surface was unbearable. The lightest tap gave me a pretty thick stroke, even at firmer settings - it was harder to get a light stroke than a intuos3.

 

Intuos 5

+ Wireless! Very useful when you like to sit back in the couch with a large screen or similar.
+ Medium size is slightly smaller than the intuos3 A4, so it's more portable-friendly.
+ Pens are a step towards intuos3. They even look like intuos3 + intuos4, which proves my point about the intuos4 pens. They took a step to the past and the right direction; although I still argue intuos3 is a better pen.
+You can use it as a touchpad, so you can zoom, rotate with gestures with your fingers on your pen-hand. Not life saving, but pretty cool little feature if you decide to start working that way.

-Recent generation, so more expensive.
-Can't replace the surfaces, which unfortunately makes it pretty bad for long term use.

 

Cintiq


+ Cintiqs are good for a specific type of work. It is definitely FAR superior to do linework. Long, detailing and rendering is also great on a cintiq.


-Bad for your eyes. Don't underestimate this. When you are spending hours and hours in front of a screen, these are things you have to consider. When I switched to a cintiq for a couple of days, putting in the same amount of hours as usual, I had to stop because my eyes were hurting.
- Similarly, your back can take a punishment when working with a cintiq for a long time, as you are hunched over the tilted screen most likely. Not good form.
- A lot more expensive for a relatively unimportant feature.
- There is a lag between input and response on tablets, and on screen-tablets like the cintiq this becomes noticable.
- Your hand is in the way, which, believe it or not, is a huge problem when you are used to a regular tablet. That said, offsetting the cursor of the pen by 10x10 pixels or so, so you are painting higher and more to the left than your pen tip position, tends to fix this issue and the mental change is quickly done.

 

Bamboo tablets

They are inferior but a LOT cheaper. Not much to say about it other than that.




Final Verdict!

 

My personal setup is the intuos3 A4. I love this tablet (and primarily its pen) so much I have purchased a backup tablet (the exact same one) before they become too hard to find. They are a little bulkier as mentioned before, but this is perfect for my permanent desktop setup anyway. They are robust enough you can put a hot plate on it and eat, if you sometimes eat at your desk, for example. It can take quite a punch. The tablet surfaces are replaceable too, if you manage to find a seller.

I would recommend staying away from Intuos4.

If you are willing to invest a little bit more, get the intuos5 medium. It seems like the benefits of the intuos4 and 3 put together. If my intuos3's break, I will upgrade straight to 5 (or other generations if they are out by then). Together with a wireless keyboard it seems like a powerful setup.

If you find yourself doing a lot of line-art, then you should definitely get a smaller cintiq. The larger ones have obvious issues - they nuke your eyes; and they are simply bulky and expensive. If you get a large cintiq, get a mechanical arm to go with it. It costs a whole chunk extra, but at that price, you are investing anyway. I still recommend a smaller cintiq for lineart and a regular tablet for any other work.


If you are new to painting, and want to try it out, get a bamboo. There is no reason you need anything else. Once you decide to take it more seriously and paint a lot, you'll come to a point where you know you need an upgrade, and then you upgrade - simple as that! Do not waste money on hardware before you need it; as it will not change your skills. ( same with brushes ;) )


The ultimate setup in my eyes is a smaller cintiq to your side for certain types of client work, and either the Intuos3 A4 or the Intuos5 Medium for your day-to-day work. 3 if it's a permanent setup; 5 if you like to travel or sit back in the couch with a projector or such.

In the end, always try it before you buy it. My review is subjective, and your experiences may vary. Test as many tablets as you can possibly get your hands on.

dinsdag 30 juli 2013

Standard reply to "royalty-offering jobs"

Hey everyone! It's my birthday, yay.

Anyway more importantly:

Today I took the time to actually write out an e-mail to an royalty-based offer I got. This particular person seemed very professional and literate, so I felt like writing out my thoughts and the simple truth.

If you're a freelancer, I encourage you guys to write out and inform clients of why it's not going to happen - even if the deal is not on. Most of us will probably just ignore royalty based offers 100%, but if anything, write a standard reply like the one below and then send that off at least. Informing people helps.It does sound like a bit of a rant, because it actually is kind of one. But an informative rant at least, I hope.


Here it is:  

 [Hello X]

    I don't take royalty based offers. It simply does not bring food on the table. This work would be work, and take time, even if it's in my "free time" (which I don't really have, and I wouldn't spend it working more, on another project, especially with an NDA) If I wanted to make portfolio work I could just pick something myself and make it actually an intelligent decision that steers the kind of work I get, which would be much more lucrative for me.

    Fact of the matter is simply that royalty based offers almost never turn around any revenue at all; and if they do, it's probably not even close to the amount of work put in. I get offers like this very often, so I just have a simply policy for them, I hope you understand.


    I really hope you can some day muster a budget (and advise you to) and then of course, I'd love to help out! I'm saying this obviously for myself but also as a tip for you - I've been in and seen numerous project crumble and fall, and the simple fact is that the people who claim to be freelancers and then take on royalty/non-pay jobs like this are probably not the people you want on your team anyway.

    Anyway - My prices are really quite fair compared to what I should be asking, even if I say so myself, I encourage you to consider it! If not for preproduction, then definitely invest some money towards marketing illustration -- it's worth it when the time comes.

zondag 24 februari 2013

Animating some dwarves

Today, I wanted to mess around with animating a painting!

This is a mere 5 or so frames, doing a small loop of static animation (breathing, wind, etc) it took quite a long time for what it is but its really cool to see a creation of mine come to life! :) Nothing too serious, just having fun.

Click for a larger view!




donderdag 6 september 2012

Expanding into freelance private tutoring

I've decided to branch off a little and try my hand at private tutoring!


Here's the gist of it: I aim to personally teach you any of the following skillsets




DP - Digital painting (Photoshop)
DS - Digital Sculpting (Zbrush)




I have my art tutorial series called "Art Stuff" http://www.youtube.com/watch?v=ZTXCTiY8Lus&list=PLvyNhjrDadI_Wqc9AzhoOpYOHA-jsTtDu
This series will hold all theory and information for free - always.

The private tutoring or mentorship is a feedback type thing. You will be "hiring" me to give personalised feedback and paintovers, honing to your personal weaknesses and strenghts. You can hire me for one paintovers, or we can do a longer term relationship with weekly assignments and feedback, which is probably a smarter idea.
All categories are highly customizable, so if you only want to learn the basics of anatomy, then that is fine. Prior to beginning lessons we'd communicate in as much detail as needed on what the subject matter should be. Examples of more specific areas:




DP - Concept art, illustration - composition, anatomy, colour theory, line art, b&w painting,    speedpainting, rendering, freelancing/marketing tips.

DS - Anatomy, rendering, detail-sculpting, game-related sculpting, speedsculpting, basemeshes,    decimation etc...



    Of course there can also be software package lessons, and each category can have a beginner or advanced approach. I can also approach the often overlooked psychological/mindset aspect and share insights into the industry, importance of contacts, discuss goals and strategies etc etc. These might be simply exchanging long mails with one another. Again you are simply hiring my time, and I would be sharing any info you want to know in your personal situation. There is no one course, so it's more of a ask-what-you-want-to-know sort of thing within the bounds of my personal skillset!

    Lessons are telecommute, video feedback and using e-mail, for pratical reasons.




    This may be specifically interesting for students at DAE (my old school) Who are struggling with a certain class, or aren't, but want to advance more rapidly than the school's rate. I've graduated at DAE so it is definitely beneficial to have a tutor who knows the people, assignments, and skills needed!

    All tutoring can of course be in both English and Dutch.

    You may think that I'm lacking that decade of experience, to start teaching - but I've come to realize that it is often more beneficial to have a tutor 2-3 years ahead, than a personal Donato Giancola. It's good to have someone who is in exactly the same boat, only a little bit further down the ocean, towing you closer.

    Applicants can mail me at lakierejordy@gmail.com. Any questions whatsoever are welcome, no obligations of course. Note that not everyone will be accepted! If you are interested, please state what you'd like to learn in broad terms (at first), in what sort of timeframe, and perhaps some of your work so far, if you have any (if not, that is totally fine too) I'm hoping to see some dedicated people who want to learn!



    zaterdag 28 juli 2012

    The power of crits!

    Here's my latest finished piece (for once!) This is a freework piece, for my portfolio, since I'm starting to look for some freelance work.

    I think it's a great showcase of the power of crits, hence the blogpost

    Here's what I ended up with at first -


    I had a large crit/paintover on the Awesome Horse livestream, by a few professional artists, and a number of great crits on fora/in person etc. Instead of taking them in and keeping them in mind for the next piece, I took all the time I needed to apply (almost) all of them!

    Here is the reworked/updated piece after critique.


    I might make a video about this piece as I've done before, talking about how I tackled it and checking it out layer by layer!

    Thanks!

    www.jordylakiere.com

    maandag 12 december 2011

    Overview & rundown videos of 2 paintings

    Decided to get back into producing a few videos here and there.

    Here's 2 after-the-fact rundowns (layer by layer) and talking a little about how I approached them and such. Feel free to comment with ideas for future videos - what would you like to see? More rundowns, realtime painting, fast forwarded with narration? etc. Comment, like, share, sub, favorite and all that jazz!

    http://www.youtube.com/user/LakierosJordy

    zondag 11 december 2011

    Bunch of new environment paintings

    Here's an update/collection of paintings so far I've been doing for an animated short project.
    These paintings are supposed to be animated by layer at the end - and a voiceover narrative should pull the thing together. A lot of them are pretty loose - but I can't linger: the postproduction and even animation will probably suck up a lot of time. If I have any time left after that -- although unlikely -- I can easily go back and tighten up the paintings.




    dinsdag 1 november 2011

    Self portrait day 2011

    Hey folks. Here's my self portrait for the international SP day 2011!

    Bit different than usual - me as a baby. Babies are hard to paint. I'm not really satisfied with the end result (Especially in the thumbnail it looks off, which means there are fundamental errors), but either way, here's some steps:

    Intial (quick) sketch. Still major proportion errors, but I will fix the big ones later on.


    Here's a real-inthemiddleofit- shot of some colour blocking. I do this with the sketch on top (not shown in the image) With the sketch on top, it looks quite alright, almost like a comic book or cartoony portrait.


    Now comes the time consuming detailing/rendering. A bit closer, still revising proportions every now and then. Focusing on the eyes mainly at first, but I still jump around relatively randomly to places in the image.

     

    Major proportion review this time. Started selecting and moving around parts (the big benefit of digital painting) and fixing the seams it leaves.

    maandag 31 oktober 2011

    I pulled a forest gump, and all I got was the FBI and dehydration.

    So, I made a blog. It's mainly about art, but I'm going to start off with a huge wall of text post, mostly irrelevant to art.
    If you’re interested in the FBI or dehydration part, just keep reading…

    A few things you need to know about me – I haven’t done any sports in the last 3 or so years – staircases make me tired. My physical condition is zero, assuming it doesn’t go into the negatives.  I have the physical endurance of a morbidly obese man. In fact it’s amazing I’m not obese.
    Every now and then I do, and write some cheesy crap for myself, and usually lock it in the farthest corners of my hard drive. This time, though, I figured I’d use it as an opener for my blog-thing. After all, I am a human being, and as one, I want people to know about my achievement.

    Every now and then I go out, without a plan, or anything but an MP3 and a handkerchief maybe – and I start running. You could say I run on emotions. I hate running, Usually I’ll run around randomly everywhere within my city Torhout. I do this at night because I do it partly to think - there is less traffic and people in the dead of the night.

    That’s exactly what I did – until I was physically tired. However, just when I was about to return, I came to this point -- “the road” – where one way leads to the safety of my own city – literally the lighted centre-church is at one end, the other end of the road is basically infinitely long, and leads to god knows where. For some reason, I had to sit down on the pavement and start thinking. A lot of thoughts went through my mind - “I can’t do it, if I go down that road I’ll be gone for hours”, but I started to get curious if I could do it. What seemed 100% impossible became a challenge. I kept chickening out, though. It was one of those things “that would be cool” but “from a practical standpoint, no fucking way.”

    In the end, I chickened out. I started walking back home to the familiar. 

    But then! Dun dun dunnn. “Fuck it.” I turned around, and started running down the infinite road.
    I’m not going to go to in-depth about everything that happened along the way, I could write a full length novel, probably, but explaining everything will probably take a long while of text either way. I hope you can find the time to sit through it. 

    I ran to the next city, then I decided “fuck it” again, and I ran on, to the next city…and to the next. I ran until my feet fell asleep (literally) and soon after, my lower legs – I don’t even know how it’s medically possible, but I ran on. Entirely on mental determination. I ran into long stretches of nowhere, where it was pitch-black. I could almost hear the cars that passed on the highway at 100+km/h next to me go “what the fuck is this guy doing” since behind and in front of me was just road, for a long while. I was almost going to write in my blog post “I didn’t think about the way back”, but that’s a lie. In fact, I thought about it constantly – holy fuck, I still have to double this way back. But I didn’t take it into consideration. By this time I had an actual goal in mind (a location from my past) that I’m literally legally not allowed to specify (I know, that sounds cool, right?) and I was going to make it, or die. Mentally I was doing quite okay actually, I was pretty euphoric at times. 

    The distance was a lot longer than I expected, let me tell you that. And I expected it to be looong.
    After a while, I noticed I stopped sweating and got slightly dizzy. This was a problem. You see, I have a form of Hyperhidrosis, which basically translates directly to “Sweating a fuckton”. It means I have an insanely fast metabolism when it comes to liquids, and I have to drink several liters a day to upkeep it. After running this long, I had basically run through all my fluids and stopped sweating. For anyone who doesn’t knows about dehydration: this is bad news. Keep in mind, it’s the middle of the night, I didn’t have a penny (or  a wallet), or a phone, and I was about 3/10’s the way there. I brought a small bottle of tap water with me, but by now I had about one sip left, which I rationed. I forgot to take hydration into consideration completely, when I set off, which was a huge mistake.


    I pulled through, though. I didn’t stop or go back, I continued. The entire time scanning for public bathrooms, or anywhere I could find a tap. After a while, I got back to a more rural area, at which point I got the idea to start scanning for garden taps. It took a while, but I found one at the front of a house, past their garden. Probably a bit shady, but at that point I was ready to rob a store for a coke. Let me tell you this, tap water has never tasted that good, to anyone, ever. It’s amazing how few taps there are around, and how 9/10 of them don’t work.

    At this point I was nearing my goal. I started sweating again and stuff too, the water helped a lot. The last stretch of the first half was okay after the refill. Little did I know that was nothing compared to what was to come.
    I made it. It seemed pretty unreal, the area I had in mind, in front of me, through sheer power of will. I had been gone for about, 3 to 4 hours already at this point. I did take a bit of a break then, at a bus-stop. My feet and especially hip joints were killing me. But I was euphoric. It was time to start going back, because was only at 5/10ths of the way. This is where shit started to go wrong.
    A couple hundred meters into the way back – a fancy car pulls up next to me, sirens blazing.
    2 undercover FBI (lack of a better definition) badasses. Both bald, bulletproof vests, likely armed (but I didn’t get too long a look) started asking me a boatload of questions. I answered swiftly and correctly, going “holy shit is this happening” inside my mind. I’ve never talked to such suspicious people in my life before. What I liked in particular -

    “what are you doing”
    “I’m jogging”
    “At this time of the night.”
    “Yeah, it’s calmer, less traffic, I prefer it”
    “Where are you coming from?”
    “Torhout”
    “Torhout?!”
    I blew his fucking mind.
    There were more questions – name, address, stuff like that.


    All in all, I don’t blame ‘em. After all, I am a 20 year old southern/eastern looking bloke, in a hoody and cap, running around in the dark of the night, stealing people’s tap water. Plus, remember I didn’t have any money, ID, phone, nothing. Nor do I know any phone numbers by heart. They let me go, though, wishing me a good trip back. I wouldn’t have minded if they arrested me. That would have been exciting. Also, it would have saved immense agony to come, but unfortunately they didn’t have grounds on which to arrest me. I wonder if I’ll hear from them.

    I kept going, and soon I stopped sweating again. Too soon, in fact. I was back in the middle of nowhere, that stretches forever and ever. No tap water here. My mouth went dry, and I got pretty dizzy after a few more kilometers, skin dry as a bone, heart rate scarily elevated. I was still able to realize I was in a messy situation. I still had a looong way ahead of me. 

    After another while, things started to get serious. At this point, you have to know, I wasn’t running anymore. That was impossible. Walking was hard, actually. I had to take breaks every now and then, stand still for a while. Having to stand changed into having to squat, which changed into having to squat with hands leaning, which changed into having to sit down entirely. I made sure I took my absolutely necessary breaks whenever there wasn’t a car passing, because I didn’t want anyone to help me. In my mind, I was yelling “ASK FOR HELP, LIFT”, but I had come this far – I wasn’t gonna give up. Having to sit down, changed into sitting down and automatically lying down as a result. 


    Something is up, when a grown man is having to lie down on the side of a highway. Still, I took care to not do it in the sight of anyone passing. I know this sounds weird, almost unreal; it even does to me at this point (recovered now) but this is actually what happened, I ain’t bullshitting. Lieing down changed to literally collapsing, in the last 2 kilometres or so. I started collapsing more frequently.
    Your mind does very weird things when you’re this dehydrated. It goes to weird places, like a bad trip. You suddenly feel how easy the road to death is, among many other things. Those empty soda and beer cans on the side of the road are looking real fucking tempting. Hell, the creek of shit-mud on the side of the road does at that point. I didn’t think it possible that standards would shift so dramatically when ”survival” is at hand. The last few stretches was probably among the hardest things I’ve ever done. I literally collapsed every 50 metres or so, every time taking longer to get back up. You know when you skip a night, or two, and you can’t keep your eyes open?  I had that, too. I was on the verge of fainting, and (irrationally, but my mind was all over the place) afraid I wasn’t gonna wake up.  No one noticed. 

    I was in familiar territory: “almost there” and I started dreaming of my garage full of drinks at home.
    I can’t tell you how I felt, when I entered my street, and saw the front of my home. I got nervous, actually. I opened the garage, ripped out a bottle of whatever, and collapsed right there in my garage with a bottle of soda on my face. I can’t express in words, how amazing that was, to drink something. It sounds so stupid, but damn, it was so true.

    The symptoms don’t go away instantly, your mind needs time to recover from the headache, being dizzy, delusional and whatever  else– what I did next was hoard about 6 bottles of drink (whatever I could find) and bring it all up to my bedroom, to sit next to me while I slept. When I woke up, I realized how unnecessary that was but it did prove to me that, all of this actually happened.
    It’s pretty crazy, because I know that if I had done this a year or 3 ago (with enough water, heh) it wouldn’t have been a big deal at all. Stuff is so relative.